Barenreiter Brahms J. - Albumblatt For Piano
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Barenreiter Brahms J. - Albumblatt For Piano Barenreiter Brahms J. - Albumblatt For Piano Edition no.: BA5901 ISMN: 9790006541492 Editor: Breig, Werner Language(s) of work: German Language(s) of text: German, English Product format: Vocal score, Anthology, Urtext edition Includes the following individual parts: Mixed choir, Basso continuo ad lib. Binding: Cardboard binding Pages / Format: XIII, 105 Seiten - 27,0 x 19,0 cm In 1648 Heinrich Schütz published a collection of 29 motets with five to seven parts titled “Geistliche Chor-Music” (Sacred Choir Music). Here, the term “Chor” (choir) refers not only to a (large) vocal ensemble but, more generally, to a group of musicians, vocal or instrumental. As explained by Schütz in the foreword he published with the collection, all parts of the motets can be performed vocally and/or instrumentally. This practice, common in Schütz’s time, has been incorporated into Bärenreiter’s new publication. The edition includes the twelve five-part motets at original pitch with basso continuo. In addition, instrumental parts for string and wind instruments can be purchased. These parts, which include the text, serve to support and complement the choral sound “colla parte”. To enable varying tone-colour possibilities, instrumental parts are available in different transpositions Print on Demand. Of great significance is the detailed foreword on performance practice by Manfred Cordes. - Reflects the latest in musicological research based on the “New Schütz Edition” - Includes a detailed foreword (Eng/Ger) on performance practice by a Schütz expert - Instrumental parts (strings, winds) available in transpositions PoD Manfred Cordes is a specialist for the music of the 16th and early 17th centuries. He works as professor for music theory, counterpoint and ensemble and is also rector of the “Hochschule für Künste Bremen”. He performs internationally as the director of the ensemble “Weser-Renaissance Bremen”. Vorwort Preface Vorrede im Stimmbuch Bassus Continuus 1. Es wird das Zepter von Juda nichts entwendet werden SWV 369 Prima pars 2. Er wird sein Kleid in Wein waschen SWV 370 Secunda pars 3. Es ist erschienen die heilsame Gnade Gottes SWV 371 4. Verleih uns Frieden genädiglich SWV 372 Prima pars 5. Gib unsern Fürsten und aller Obrigkeit SWV 373 Secunda pars 6. Unser keiner lebet ihm selber SWV 374 7. Viel werden kommen von Morgen und von Abend SWV 375 8. Sammlet zuvor das Unkraut SWV 376 9. Herr, auf dich traue ich SWV 377 10. Die mit Tränen säen, werden mit Freuden ernten SWV 378 11. So fahr ich hin zu Jesu Christ SWV 379 12. Also hat Gott die Welt geliebt SWV 380 Musik Noten > Klassische Noten > Gesang - Chor > Chor und Gesangsensemble Barenreiter Brahms J. - Albumblatt For Piano: Weitere Informationen... |
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Barenreiter Brahms J. - Albumblatt For Piano
Home > Musiknoten > Klassische Noten > Gesang - Chor > Chor und Gesangsensemble
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Barenreiter Brahms J. - Albumblatt For Piano Barenreiter Brahms J. - Albumblatt For Piano Edition no.: BA9606 ISMN: 9790006542284 Editor: Hogwood, Christopher Language(s) of text: English, German Product format: Performance score(s), Urtext edition Includes the following individual parts: Piano Binding: Stapled Pages / Format: V, 4 Seiten - 31,0 x 24,3 cm During his research, Christopher Hogwood came across a source to which George Bozarth has drawn attention in the Spring of 2011 and which had not been available for any previous edition. The source consists of a one-page autograph of a piano piece which the young Brahms wrote in a guest book. Twelve years later Brahms re-used this literal “Albumblatt” (untitled by Brahms) in his horn trio. The piano piece is published in a scholarly-critical edition, both as a facsimile and in modern notation. •Introduction •Einführung •Facsimile: Albumblatt (1853) •Brahms, Johannes Albumblatt •Critical Commentary Musik Noten > Klassische Noten > Tasteninstrumente > Klavier Barenreiter Brahms J. - Albumblatt For Piano: Weitere Informationen... |
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