Edition Peters Schubert F. - Lieder Hohe Stimme Band 3
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Edition Peters Schubert F. - Lieder Hohe Stimme Band 3 Edition Peters Schubert F. - Lieder Hohe Stimme Band 3 Edition de Dietrich Fischer- Dieskau This edition of Schubert´s lieder (volumes 2 to 4) contains all those lieder which were published with opus numbers during his lifetime. The combination of lieder into a group with a single opus number was made by Schubert himself; the opus number has no chronological signifiance for the lieder. Schubert was very careful in selecting the lieder which he wished to publish, and took similar pains when combining them into groups. Many of the lieder in these groups are related not only by content but also musically; for example, there is at times a meaningful succession between the keys, though this of course is only apparent in the original edition, usually for high voice. However, other considerations such as the dedicate or poet may also have been crucial for a selection. For this reason, the editors preferred to retain the choruses which Schubert included in lieder groups such as op. 52. In most cases, the original edition was for high voice. Ideally, the critical revision of the lieder was based on Schubert´s autograph, the engraver´s copy and the first edition. In some cases the autograph and first edition have been lost; this made it necessary to consult contemporary copies as well. Although some of the lieder exist not only in more than one autograph manuscript but also in different autograph versions, the editors have tried at all times to create an unambiguous reading of the lieder without making changes in the musical text. All editorial editions beyond simple corrections are indicated in the customary manner (square brackets, dotted slurs, additional accidentals in small print). Footnotes refer to information which the editors felt to be important for an understanding of the lied (e. g. discrepancies between autograph and first edition, recourse to inconsistent autograph versions, etc); in a few cases the footnotes give suggestions for performance. It was not the editor´s intention to change the musical texts for the sake of consistency, since changes of this sort run the risk of limiting and restricting the performer. The editors have attempted to create a text which does equal justice to the sources and the needs of the musician. When transposing the lieder for middle and low voice, the editors were usually able to adopt the keys in Friedländer´s edition, as well as the occasional amendations that Friedländer made, particularly in this editions for low voice. The practice of setting one octave higher a piano part which was meant to be transposed to a lower key was well-known in Schubert´s own day. Indeed, Schubert himself, when transposing a lied in ,Die schöne Müllerin to a lower key, added in writing that the accompaniment might well be played an octave higher. Franz Schubert. One problem related to performance practice is the relation between dotted and triplet rhythms. In such cases, this edition of Schubert´s lieder always follows the first editions where, as was common 18th- century practice, the dotted rhythms are visually, and hence no doubt musically, aligned with the triplets ((??) instead of (??) ). The texts of the lieder have been put into modern orthography while the punctuation has been retained. Changes made to the texts by Schubert himself have been unchanged; obvious errors have been indicated by addition of the original wording. Table des matières : Der Pilgrim, Noch in meines Lebens Lenze war ich D-Dur op. 37 Nr. 1 D 794 (Mai 1823) (Originaltonart, Tonumfang ces´ - f´´) Der Alpenjäger, Willst du nicht das Lämmlein hüten? C-Dur op. 37 Nr. 2 D 588 (Oktober 1817) (Originaltonart, Tonumfang b - g´´) Der Liedler, Gib, Schwester, mir die Harf´ herab a-Moll op. 38 D 209 (Januar 1815) (Originaltonart, Tonumfang b - g´´) Sehnsucht, Ach, aus dieses Tales Gründen h-Moll op. 39 D 636 (Anfang 1821) (Originaltonart, Tonumfang as - e´´) Der Einsame, Wann meine Grillen schwirren G-Dur op. 41 D 800 (Anfang 1825) (Originaltonart, Tonumfang d´ - g´´) Die junge Nonne, Wie braust durch die Wipfel der heulende Sturm f-Moll op. 43 Nr. 1 D 828 (Anfang 1825) (Originaltonart, Tonumfang c´ - ges´´) Nacht und Träume, Heil´ge Nacht, du sinkest nieder H-Dur op. 43 Nr. 2 D 827 (vor Juni 1823) (Originaltonart, Tonumfang dis´ - e´´) An die untergehende Sonne, Sonne, du sinkst Es-Dur op. 44 D 457 (Mai 1817) (Originaltonart, Tonumfang c´ - fis´´) Ellens Gesang I, Raste, Krieger! Krieg ist aus Des-Dur op. 52 Nr. 1 D 837 (zwischen April und Juli 1825)... Musik Noten > Klassische Noten > Gesang - Chor > Gesang, Klavier Edition Peters Schubert F. - Lieder Hohe Stimme Band 3: Weitere Informationen... |
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