Bass-Pedale
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Gitarren > Verstärker-Effekte > Bass-Effekte > Bass-Pedale |
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MXR BASS CHORUS DELUXEGitarren > Verstärker-Effekte > Bass-Effekte > Bass-Pedale |
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MXR BASS OVERDRIVE NAMM 2013Gitarren > Verstärker-Effekte > Bass-Effekte > Bass-Pedale |
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Not one, but two narrow filters sweep your tones under control of the envelope, generating very unique vocal-like sounds. A distortion switch enriches the harmonics. The response control varies the sweep range determined by your attack. Not only designed... |
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Info: Absolutes Muss für jeden Bassisten 7-Band-Equalizer, Frequenzbereich von 50 Hz bis 10 kHz mitt +/- 15 Anhebung/Absenkung pro Band. Besonders die soundformenden Mitten lassen sich nuanciert einstellen. Die wichtigsten Features: Regler: Equalizer... |
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What would the history of music sound like with no chorus on the bass? Frankly, it´s hard to imagine. Without that gorgeous sweep that lifts the bass from its old role as a tuned kick drum to a vibrant, colourful instrument that often defines the sonic... |
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CLASSIC CHORUS FOR BASS GUITAR Like its predecessor the original Sweeper, Sweeper 2 is a strikingly simple, intuitively designed pedal that does just one job and does it extraordinarily well: producing an exquisite chorus effect for the bass and guitar,... |
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The Mole is a bass booster that helps bassists and guitarists unearth a sound that is positively subterranean. Based on the classic design, this updated pedal adds the same rich, low-end bottom while adding a 20dB boost to your signal. Whether you step... |
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2-channel bass pre for 1 or 2 basses Built-in direct box with XLR output Combination power boost and effects loop Powerful EQ and contour controls Separate always-on tuner output The Radial Bassbone is a power-packed bass preamp that combines real-world... |
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The TS9B is equipped with controls to allow bassists to produce the sound they want while still maintaining the feel of the Tubescreamer. Experimenting with the mix and tone controls allows for creation of a limitless number of sounds. Players can get... |
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