Theorie und Pädagogik
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Les Structures mélodiques est une approche simple et pragmatique de l´improvisation. Les changements d´accords sont inclus pour les instruments en Ut, Sib et Mib. De plus le livret inclus les exemples transposés pour tous les instruments en Ut, Sib,... |
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Many of the great modern players have pentatonics at their command and melodic disposal. The book provides a practical yet creative approach to assimilating pentatonics into your melodic musical reservoir. The author has taught this method over many years... |
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Many of the great modern players have pentatonics at their command and melodic disposal. The book provides a practical yet creative approach to assimilating pentatonics into your melodic musical reservoir. The author has taught this method over many years... |
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Line Playing · Voice-Leading · Chromaticism · Bebop Scales A clear and practical step-by-step approach to chromaticism, line playing and voice leading. The CD contains 23 play-along tracks (most of them played in two tempos), based on standard chord... |
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Time and rhythm are king! Number one! We are constantly aware of this fact when we are playing or listening to improvised music. All notes seem to sound good when they are played with good time. Even melodies that use wrong notes sound good when played... |
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Inside Improvisation : vol. 5 Practicing out of this book by just reading the melodies has changed and expanded my playing, says Jerry Bergonzi. He offers a number of suggested uses and applications for this intervallic system including ear training,... |
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Inside Improvisation : vol. 6 Learning a language requires listening on many levels to the meanings, the sounds, the intentions, and the inflections or nuances of the language. The first chapters of this volume on learning the language of jazz focus on... |
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Inside Improvisation Series : vol. 7 Hexatonic scales are six note scales. This book presents a practical method for the construction of hexatonic scales that are useful for both the improviser and composer. Many modern piano players use hexatonic voicings... |
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This is the definitive study of chord progressions of hundreds of carefully chosen tunes from the jazz musician’s repertoire, comparing them, linking them together by commonalities, and codifying harmonic traits that will clarify the reader’s understanding... |
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Melodic Improvising This method book/CD set is about understanding, developing and incorporating the art of melody into Jazz Improvisation. Topics discussed in the book are demonstrated by the author on the CD. This CD, along with the practice materials... |
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Let´s Play Rhythm Variations on Rhythm Changes for the Study of Improvistaion, Ear Training and Composition Let´s Play Rhythm is one of the most versatile book/CD play-alongs available providing three CDs which offer a complete learning experience.... |
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Lupo Santiago is one of the most notable guitarists in Brazilian instrumental music today. (His book is) A wonderful opportunity for professional musicians and students of various levels to delve more deeply into their studies. It is a fundamental tool... |
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Let´s Play Rhythm (Bb/Eb) Variations on Rhythm Changes for the Study of Improvisation, Ear Training and Composition Let´s Play Rhythm is one of the most versatile book/CD play-alongs available providing three CDs which offer a complete learning experience.... |
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Uncommon Bebop from Common Bebop Practices & Concepts demonstrates how to develop a colourful language for improvisation from common bebop practices and devices. Learn how to alter melodic lines beyond their fixed state to create a wealth of material... |
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Jazz Conception Study Guide a manual for teachers and for self-study The Jazz Conception Study Guide shows through detailed analysis how to get inside the creative process of creating a jazz solo, it provides a wealth of ideas and practice suggestions... |
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Jazz Conception Handbuch Ein Handbuch fur Lehrer und zum Selbststudium Das Jazz Conception Handbuch gibt anhand detaillierter Analysen Einblicke in den kreativen Prozess des Jazz-Solospiels. Gleichzeitig enthält das Buch eine Vielzahl von Ideen und praktischen... |
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Improvisations Patterns fur Anfänger Diese Improvisationsmethode wurde speziell fur Schuler und Hobbymusiker entwickelt, die im Jazzbereich noch Anfänger sind - sie kann also ohne jegliche Jazzerfahrung benutzt werden. Die Begleit-CD macht das Lernen... |
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Improvisations Patterns fur Anfänger Diese Improvisationsmethode wurde speziell fur Schuler und Hobbymusiker entwickelt, die im Jazzbereich noch Anfänger sind - sie kann also ohne jegliche Jazzerfahrung benutzt werden. Die Begleit-CD macht das Lernen... |
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Improvisations Patterns fur Anfänger EbMusik Noten > Theorie und Pedagogik > Musikalisches Lernmaterial > Jazz - Improvisation |
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Improvisations Patterns fur Anfänger Diese Improvisationsmethode wurde speziell fur Schuler und Hobbymusiker entwickelt, die im Jazzbereich noch Anfänger sind - sie kann also ohne jegliche Jazzerfahrung benutzt werden. Die Patterns sind zunächst sehr... |
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The Breed Is Funkin´ C Instruments This CD (including music booklet) has not especially been worked out for the use in musical education. It is, on the contrary, an audio CD which has been recorded for sale as a trio CD under my name. Mixing the recordings... |
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The Breed Is Funkin´ Bb Instruments This CD (including music booklet) has not especially been worked out for the use in musical education. It is, on the contrary, an audio CD which has been recorded for sale as a trio CD under my name. Mixing the recordings... |
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The Breed Is Funkin´ Eb Instruments This CD (including music booklet) has not especially been worked out for the use in musical education. It is, on the contrary, an audio CD which has been recorded for sale as a trio CD under my name. Mixing the recordings... |
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The Ears Have Walls An Approach to Ear Training for the Jazz Improviser Nombre de pages :184Musik Noten > Theorie und Pedagogik > Musikalisches Lernmaterial > Jazz - Improvisation |
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Simba Samba Ensemble Mix This piece follows the standard AABA form and should be played half-note equals 104-116. Be careful not to play it too fast as the horns will have difficulty with the melody and interlude.The melody itself is quite quirky and... |
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