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Musik Noten > Klassische Noten > Ensemble und Orchester > Partitur > Partitur |
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Through the well-known first theme of its opening ´Prelude´, Charpentier´s spectacular Te Deum has become the best-known of all French baroque grands motets. Prepared by the distinguished French baroque scholar Lional Sawkins from the composer´s... |
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Musik Noten > Klassische Noten > Ensemble und Orchester > Partitur > Partitur |
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Musik Noten > Klassische Noten > Ensemble und Orchester > Partitur > Partitur |
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Bhakti was written in 1982, to a commission from IRCAM, Paris. It is in twelve short movements totalling about fifty minutes. There are 36 subsections; each one defined by a certain number of instruments playing a certain pitch cell. As there are only... |
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The vocal writing. . . is economical and pithy, and it is complemented by brilliantly imagined instrumental colours. This is music of great energy and sensuality. . .Arnold Whittall, Gramophone, October 1989Musik Noten > Klassische Noten > Ensemble... |
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Commissioned by the University of Sussex to celebrate their Silver Jubilee in 1986, God is Our Refuge sets Psalm 46 and is one of Harvey´s easier choral works offering all choirs an ideal introduction to his choral writing.Musik Noten > Klassische... |
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Invocation was composed in 1911 and first performed on May 2nd of that year in the Queen´s Hall, London, by May Mukle with the New Symphony Orchestra conducted by Landon Ronald. The work received several performances with piano accompaniment before... |
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Musik Noten > Klassische Noten > Ensemble und Orchester > Partitur > Partitur |
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Musik Noten > Klassische Noten > Ensemble und Orchester > Partitur > Partitur |
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Holst´s Symphony in F: The Cotswold Op.8 (H.47) was composed in 1899 and 1900 and given what was in all probability its only performance in 1902 by the Bournemouth Municipal Orchestra conducted by Dan Godfrey (this was the first professional performance... |
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. . .the title aptly reflects both the songful character of the musical invention and the relationship of wind solo to string trio. . .[a] composition of great charm and precise character; its other virtues, of well-found proportions, distinctive harmonic... |
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None of the four songs lasts more than a few minutes, yet they pack in an astonishing range of emotional and vocal nuance. . .with wonderfully lucid colours drawn from a vast ensemble; each song seems to define its sound world within a couple of bars,... |
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. . .The symphony is the work of a modern Ravel.The Independent, 27 June 1988Musik Noten > Klassische Noten > Ensemble und Orchester > Partitur > Partitur |
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. . .creates a shimmering tapestry of sound that ranges satisfyingly wide within a brief-span - a fine display piece for conductor and every section of the orchestra.The Guardian, 17 September 1988Musik Noten > Klassische Noten > Ensemble und Orchester... |
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Musik Noten > Klassische Noten > Ensemble und Orchester > Partitur > Partitur |
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Musik Noten > Klassische Noten > Ensemble und Orchester > Partitur > Partitur |
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Musik Noten > Klassische Noten > Ensemble und Orchester > Partitur > Partitur |
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Taking the word Hum literally, Knussen has subjected A.A.Milne to some lighthearted but intense expressionist treatment, even developing a series of aphorisms which present such incidents as Piglet meeting the Heffalump with an economy and compression... |
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I hear in this Symphony an extraordinary feeling for the sound of poetry and for its meanings, a sure skill in timing and in plotting the motions from event to event, and beyond any question, that gift without which you might as well give up being a composer,... |
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Musik Noten > Klassische Noten > Ensemble und Orchester > Partitur > Partitur |
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It is written to please and does not put a foot wrong, as it dances energetically along to some singable themes, with invigorating rhythms, cast in a clear structure, and above all flourishing a masterly grasp of orchestration. The brassy extravagance... |
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. . . a genuinely atmospheric, highly allusive, tautly organized suite of dance references. Maw´s titles and tempo indications suggest a fashionably vampiric nightmare, but the music sounded warm and lyrical as often as cold and frenzied. . . the chill... |
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. . . the happy surprise, of his Little Concert. . . beneath the graceful long lines and jig-like spurts of a solo part expressly written for Melinda Maxwell, Maw finds time and space enough to draw quite long-range implications from his basic motif of... |
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Prepared from the composer´s original manuscript by the distinguished Mozart scholar, Richard Maunder, this is the first modern Urtext edition of Mozart´s Vesperae solennes de confessore K339.Musik Noten > Klassische Noten > Ensemble und Orchester... |
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