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F major - Studienpartitur - STP - orchestra editor: Altmann, Wilhelm composer: Brahms, Johannes Éditeur: Eulenburg N° de référence de l´éditeur: EE 4560 Série: Eulenburg Miniature Scores Contenu - Preface - I. Allegro con brio - II. Andante... |
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This piece takes its title from a painting by Daniel Maclise (1806-1870) in the Manchester City Art Gallery. Its subject is the mock Celtic Legend of a water nymph who falls for a mortal and struggles hopelessly to leave her element and join him on land.... |
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´These Premises Are Alarmed´ was written for the Halle Orchestra during Thomas Ades´s period as Composer-in-Association with them. The first performance was given by the Halle Orchestra conducted by Kent Nagano at one of the Opening Concerts of the... |
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Musik Noten > Klassische Noten > Ensemble und Orchester > Partitur > Partitur |
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The concerto has a dashing first movement marked by jazz memories and a lento whose wistful melancholy also suggests the sentimental lyrical style of the 1930s. The leap from this to the crude whooping and the stomping rhythms of the finale was irresistible.... |
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Musik Noten > Klassische Noten > Ensemble und Orchester > Partitur > Partitur |
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Peterloo is the derisive name given to an incident on 16 August 1819, in St Peter´s Fields, Manchester, when an orderly crowd of some 8,000 people met to hear a speech on political reform. On the orders of the magistrates they were interrupted by the... |
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. . .a bleak unease in the unrelenting energy of the first movement, which becomes even more discomfiting in the desolate start to the Lento. This leads to a forlorn suggestion of a funeral march, which then ironically quickens in pace but is suddenly... |
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Musik Noten > Klassische Noten > Ensemble und Orchester > Partitur > Partitur |
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The chilling slow movement seems to me to be one of the great symphonic essays written by an Englishman.Michael Kennedy, Daily Telegraph, 1 June 1991Musik Noten > Klassische Noten > Ensemble und Orchester > Partitur > Partitur |
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This is indeed a substantial piece of music and there is never any doubt it was written by a symphonist. The orchestration is both clever and brilliant. . .a contemporary masterpiece.Schenectady Gazette (USA), 7 May 1979Musik Noten > Klassische Noten... |
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Arnold has in the new work invoked traditional rhythms but again the musical matter is his own. The second of the dances has a misty and reflective character but the other three are vintage boisterous Arnold, vividly illustrating his gift for bouncy... |
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. . .a craftsman-like and gracefully wrought work. . .The middle movement is particularly fine, a wistful slow waltz of lovely simplicity which begins and ends with a tranquil dialogue between the two unaccompanied violins. . .The last movement opens... |
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On the surface a listener-friendly extension of Field´s early-Romantic idiom, this is music encompassing switchbacks of mood and material so bizarre as to be almost unnerving. (Imagine Chopin as it might have been recomposed by Kagel). . . Malcolm Hayes,... |
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. . .a virtuoso tour de force. . .a visceral dialectic, powered by nervous energy.The Times (Helen Wallace), 21 October 1998Musik Noten > Klassische Noten > Ensemble und Orchester > Partitur > Partitur |
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. . .a model of concision and concentration.San Francisco Examiner (Timothy Pfaff), September 1996Musik Noten > Klassische Noten > Ensemble und Orchester > Partitur > Partitur |
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. . .Benjamin revealed an incredible sense of timbre and a precise technique of instrumentation which is unrivalled among his fellow composers. His precedence in both spheres was highlighted most vividly in At First Light. . .a masterpiece, which literally... |
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. . .the sheer technical aplomb of the work continues to amaze. Benjamin wrote it when he was eighteen; the beautifully dappled structure and wonderfully imagined effects seem to evidence a far deeper maturity.Financial Times (Andrew Clements), 24 February... |
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The work contains some of the most startlingly precise storm music ever written - it seems less evocation than the sound of the thing itself. But there is more to it than that: Eliot´s lines suggested form for the music, and the piece is music, and not... |
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. . .perhaps the most impressive, motivated handling of orchestral forces in an output which has always demonstrated an extraordinary control of large forms. And the most telling of its time-tricks is that it compacts such a fecundity of ideas into a... |
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Upon Silence sets Long-legged Fly, a late poem of Yeats which portrays three momentous figures in history absorbed in silent contemplation: Julius Caesar planning a crucial military campaign, Helen of Troy as an adolescent in Sparta and Michelangelo painting... |
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Overall, Benjamin´s score aspired towards an exalted kind of jubilation – almost evoking angels in the music of the spheres: and as such it sounded vivid and imaginative.The Guardian (Meirion Bowen), 19 February 1991Musik Noten > Klassische... |
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The individual emotional quality and organic structure of Oration place it high in Bridge´s output and indeed in British music of the first half of this century. . .a profound work. . .Music and Letters (Trevor Bray), April 1981Musik Noten > Klassische... |
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Enter Spring showed Bridge, like his contemporaries, Respighi and Szymanowski, to be a master of sensuous chromaticism which, judging from its enthusiastic reception, provides welcome relief from the greater harmonic astringence of more recent music.The... |
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